![]() ![]() "I'm here now starting up again to see if it's still going to work, but I don't know.įor public transit systems, fewer commuters and the end of pandemic-related aid are contributing to budget deficits and massive projected shortfalls.Īnd for local governments, high office vacancies will mean a drop in property tax revenues, which will burn a hole in city finances. "Right now I'm maybe getting four or five customers a day," says James Wallace Sears, owner of a shoe repair shop in downtown Los Angeles, adding that his monthly sales are down 85% from before the COVID-19 pandemic. "More travelling, more music, more success " he agrees, "but it's hard to look too far into the future.Business Companies are shedding office space - and it may be killing small businesses The future for Fox promises yet further success, both as the radio personality he's become and the exceptional DJ we know him to be. "It's more like they're going to a concert, so now I get a great mix of both worlds. "Often at my shows now, half of the people are die-hard clubbers, but the other half are people who know me from the radio, or from more mainstream gigs," he says of his following. The many high profile gigs and shows have now taken Scotty Fox away from the remix game, and propelled him to become more of a celebrity DJ. Never limit yourself, never close your mind." Indeed, his brand of DJing was always pushing at the constraints of the genre anyway, incorporating different elements into every blend, different skills, and styles of music at every end of the spectrum. I think the only way forward for DJs now is to play a diverse mix of sounds. In 1989, I was really a hip-hop DJ, but now I've travelled round the world so much, different influences have seeped in and I play a bit of everything. ![]() Though known primarily for his pioneering contributions to the hip-hop scene, Fox's style is now a mix of everything: "hip-hop, old skool, rock, house, and '80s - it's the best of all that the music world has to offer. Together, they played the defining role in returning local Bay Area artists to the airwaves, sparking the phenomenon known as the Hyphy Movement, and inspiring a legion of DJs in the Bay to embrace the local scene. Moving to 8pm daily later in the year, he continued the success of the "Chop Shop" with Big Von, the host. In 2001 Fox joined the KMEL All-Star DJs, in a daily late-night spot designed to blow minds and break music. "Music was always my first love but back then I didn't know it was possible to make a living out of being a DJ." His weekly "Chop Shop" mixes became legendary in the Bay for their creativity and willingness to break conventional rules. ![]() ![]() But despite his meteoric success, Fox remains grounded about his achievements and clearly loves mixxing and playing music above the accolades it brings.īorn in San Francisco, Scotty Fox became a DJ because he 'liked to share music with other people." "When I was younger, I'd listen to Cameron Paul's mix show, where he would remix and cut up different tracks, and I just thought - "I wanna do this!" Starting out with a mobile DJ crew, Rhythm In Motion, around the Bay Area, he progressed to clubs, and then radio in 1996, learning and perfecting his craft every step of the way. He has opened for thousands at various concert venues and clubs, always rising above the herd with his exceptional skills. His remixes featured on the Top Secret compilation series became the industry standard. Scotty Fox's career is punctuated by creativity and rebellion – destroying conventional radio with his diabolical mixes. ![]()
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